Initially, a destination wedding was far from artist Lotte Andersen's thoughts. However, captivated by the rich culture of her Peruvian partner, Alonso Leon-Velarde, and his charismatic personality, orchestrating a four-day celebration over the 2025 Easter period evolved into a deeply rewarding experience. She now recalls, \"The festivities were ceaseless; it feels as though they are still unfolding.\"
Their journey commenced in Lima, where Andersen, invited by a Peruvian art collector after a significant Hauser & Wirth gathering, found herself in an unfamiliar city without a grasp of Spanish. A mutual artist friend, Alonso, fluent in her native tongue, bridged this gap. Despite their distinct artistic approaches—her new media, his traditional painting—an immediate connection formed over shared pizza slices, leading her to feel an instant familiarity, like encountering an \"old friend.\" That very evening, fortune favored them at a roulette table.
The proposal unfolded in Mexico City, a hub for the transatlantic couple's studios. Jewelry designer Sofia Elias led Lotte to the Tlaloc Fountain, but instead of Sofia, Alonso appeared amidst a flurry of bubbles, presenting a yellow tourmaline ring inspired by his grandmother's cherished pieces. This romantic gesture initiated a four-year engagement, meticulously dedicated to crafting a wedding that truly mirrored their unique relationship and the varied cultural landscapes they originated from.
Andersen, renowned for her vibrant social gatherings and an early contributor to British Vogue, pondered the expectations if their wedding were held in London. \"It felt incredibly meaningful for those who had known Alonso across Mexico, London, Los Angeles, and New York over the years to immerse themselves in his heritage,\" she mused. The date, April 26th, was chosen. A remarkably innovative wedding website was created, offering Lima travel advice and \"Perufernalia.\" One hundred international guests eagerly booked flights, envisioning excursions to Machu Picchu, the Nazca Lines, the Sacred Valley, and the Amazon. An additional ninety guests from the Americas confirmed their attendance.
The celebration commenced with an exclusive viewing at the Larco Museum, where esteemed guests, including the Aboah sisters, marveled at over 5,000 years of pre-Columbian artifacts, textiles, and pottery, followed by rooftop cocktails at a site famed for its romantic proposals in Peru. The subsequent day brought a spirited cumbia dance party within the historical archives of the Infopesa record label, concluding with a casual gathering at Juanitos cantina. Guests then prepared for the main event at the residence of the late Peruvian chef Marisa Guiulfo, mother of Lotte and Alonso's wedding planner, Felipe Ossio.
Despite the fashion-savvy attendees' initial reservations about the flat shoes necessary for crossing the bay in traditional painted fishing boats, the voyage to the picturesque venue, famously featured in Anthony Bourdain's \"Parts Unknown,\" was undeniably worth any footwear inconvenience. The ceremony, officiated by the couple's friend Mav and serenaded by Babeheaven, Lotte's sister Nancy's band, unfolded on the pier. This was followed by a delightful dinner, lively salsa dancing, and impromptu DJ sets, making everyone appreciate the bride's carefully considered dress code. Lotte, who chose ivory Margiela Tabis for her nuptials, reflected, \"I felt a profound desire to be grounded and unadorned on such a monumental occasion.\"
While her distinctive split-toe shoes perfectly complemented her look, the search for the ideal wedding attire—or rather, a complete wedding wardrobe—proved more challenging. This self-described fashion school dropout, who began designing her own clothes at age eleven, reminisced about her past for inspiration. For the intellectual evening at the Larco Museum, a John Pearse suit was the obvious choice. Years earlier, Lotte had encountered the co-founder of the legendary vintage boutique Granny Takes a Trip upon leaving college. After a convivial beer in Soho, she began working in his studio. Lotte shared, \"He profoundly shaped my views on art, culture, and even relationships. John and his wife Florence met in the '60s, fell in love, and married a month later, with the bride in leopard-print leggings. Alonso and I shared a similar 'love at first sight' experience. And then, it took us four years to plan our celebration.\"
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